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Maliavine, Ph.A.

MALIAVINE (Maliavin), PHILIPP (Philip, Filip) ANDREEVICH (1869 – 1940)

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    • 1.St. Petersburg. By A.R. / Studio-Talk // The Studio. Vol.23. London, 1901, pp. 138140 (Ill.: Feodorowna Ries [Т.Ф. Рис]. Die Hexe (p.138). Alexandre Benois. Au Parc de Péterhof (p.140). Ph. Maliavine. Portrait of Elie Répine (p.141). M. Néstéroff. La Mort de St. Alexandre Nevsky (p.141). Paul Troubetzkoy. Sculpture (p.142))
    • 2.Současné Umění Ruské [Ал-др Бенуа. Современное русское искусство; А. Ростиславов. О новом в русской живописи; Ф.Т. Новые русские книги; Новости и примечания; Илл.: Е. Лансере, И. Билибин, С. Коровин, М. Нестеров, В. Серов, И. Левитан, К. Коровин, А. Головин, С. Малютин, А. Васнецов, М. Якунчикова, Ф. Малявин, К. Сомов, Ал-др Бенуа, М. Врубель, П. Трубецкой, Л. Бакст, А. Обер, Е. Поленова] // Volné Směry. [Nr.8?]. Praha, 1901 časopis
    • 3.Modern Russian Art: Some Leading Painters of Moscow. By M.P. (pp. 216217218219220221) (K. Somoff. Portrait (p.222); Ill. in text: Rerich [Roerich]. Maison de Dieu; F. [sic; Igor] Grabar. September Snow; S. Ivanoff. A Sixteenth-Century Muscovite Military Expedition; F. Maliavine. A Peasant Girl; A. Vasnetzoff. Place d’Ivan Veliki au Kremlin; K. Korovine. Portrait; K. Tuon [Yuon]. Vers Troitzy; L. Pastemak [Pasternak]. Portrait of a Child) // The Studio. Vol.31. London, 1904 (Ill.: Fritz Thaulow. Le Dégel (p.63). Bruno Liljefors. Sea Eagles (p.103))
    • 4.Moscow. [Text about this year’s exhibition by the artists’ society known as the «Soyouz [of Russian Painters]»] (pp. 166167168169170) / Studio-Talk // The Studio. Vol.35. London, 1905, pp. 166 – 170 (Ill. in the text: S. Ivanoff. Maslannitza – Carnival in a Russian Street; R. Youon [sic, K. Yuon]. On the Bank; T. [sic, Ph.] Maliavine. Drawing. Peasant Girls; L. Pasternak. Portrait) (Ill.: V. Seroff. Drawing [Portrait of Belgian violinist Eugène Ysaye]. 1903 (p.165))
    • 5.Alexandre, Arsène. L’Exposition Russe // Le Figaro. №288. Paris, 15 Octobre 1906, p.5
    • 6.P.E. [P. Ettinger]. Moscow. Studio-Talk [Text about Russian exhibitions], pp. 81-83 (pp.818283) (Ill. in the text: Ilya Repine. Portrait Study (p.82). Igor Grabar. Chrysanthemums (p.83). E. Lanseray. The Empress Elizabeth at Tzarskoye Selo (p.83)); Henry Frantz. The Exhibition of Russian Art in Paris, pp. 319-323 (pp.319320321322323) (Ill. in the text: A. Benois. Review of Troops in the Reign of Pail I (p.319). C. Somoff. In the Park (p.319). N. Röhrich. The Old Town (p.320). [C.] Korovine. The Log Hut (p.320). Constantin Bogaievsky. The Dead City (p.321). I. Grabar. Birch Tree (p.321). Prince P. Troubetzkoy. Model (p.322). P. [sic, Ph.] Malyavine. Peasant Women (p.322)) // The Studio. Vol.39. London, 1907
    • 7.P.E. [P. Ettinger]. [About exhibitions «Mir Isskousstva» (The World of Art), «Soyouz», «Bubnovy Valet» (Knave of Diamonds)] (pp. 75-80) (pp.757677787980) (Ill.: V. Séroff. Portrait of the Countess Orloff (p.76). Portrait of Mons. A. Stachovitch (p.77). C. Goldinger. Self-Portrait (p.78). K. Yuon. Moscow (p.79). L. Turjansky. Autumn Sun (p.79). F. Malyavine. A Russian Peasant Woman (p.80). G. Lukomski. Types of Russian Architecture) // The Studio. Vol.56. London, MCMXII [1912] (Covertitle) (Ill. in the Magazine: Courtenay Pollock. Bust of the Right Hon. Joseph Chamberlain (p.133); Gerda Wegener. The Three Graces; Sebastian Lucius. Companions of Sleep (p.238); Fernand Maillaud. L’Imbécile du Village (p.274))
    • 8.Gerald C. Siordet. Léon Bakst’s Designs for Scenery and Costume. (pp. 3-6) (pp.3456) (Ill.: Fantaisie sur le Costume Moderne, Dioné (p.1). Design for Scenery, «Daphnis and Chloe» (p.3). Fantaisie sur le Costume Moderne, Atalante (p.4). Likenion (Daphnis and Chloe) (p.4). Pencil Drawing for Scenery of «Pisanelle», Act I (p.5). Un Polonais (Boris Godounow) (p.6). Costume Designs for the Russian Ballet «Le Dieu Bleu» (p.7)); Three Russian Painters: Konstantin Somoff, Igor Grabar, and Philip Maliavine. By Vittorio Pica (pp.107108109110111112113114115116) // Charles Holme (ed.). The Studio. Vol.60. London, 1914 (On the cover – 1913) (covertitle)
    • 9.The Russian School of Painting by Alexandre Benois with introduction by Christian Brinton. With thirty two plates. New York, Alfred A. Knoff, 1916 (Translated by A. Yarmolinsky) (Avantitul: V. Syerov. Nicholas II; tit., list of illustrations; Ill.: Isaak Levitan. The BreezeThe Pond; Valentine Syerov. OctoberBoysIda RubensteinPortrait of Princess Yusupov; Mikhail Vrubel. The DaemonThe Daemon (final version, 1902); Konsantine Somov. At Evening; Philip Malyavin. A Portrait; Sergyey Malyutin. Portrait of the Artist; Ivan Bilibin. Illustration to a Fairy Tale by Pushkin; Arkady Rylov. Spring)
    • 10.P.E. [P. Ettinger]. [The Exhibitions of Union of Russian Artists or «Soyouz», «Mir Iskustva» (World of Art)] / Moscow. Studio-Talk (pp. 73-75) (pp.737475) (Ill.: S. Chekhonin. Enamel Miniatures (p.73). L. Pasternak. Portrait of V. Maklakoff (p.74). N. Krymoff. Summer Morning (p.75). K. Yuon. On the River Oka (p.75). N. Ulianoff. Portrait of Baroness Knop (p.76)) // The Studio. Vol.71. London, MCMXVII [1917] (Ill. in the Magazine: Maurice Greiffenhagen. The Restoration of Alsace-Lorraine to France; J. McNeill Whistler. Rose and Pink – The Mother’s Siesta; Joseph E. Southall. A Bucket of Salt WaterThe Beach)
    • 11.Petr Bezrodnyj, Boris Grigor’ev, Vsevolod Nikulin, Lilja Sluckaja, Isaak Trigher, Filipp Maljavin / Prima esposizione internazionale dell’acquerello. Milano, Associazione Acquerellisti Lombardi – Società per le belle arti, Primavera 1923 // www.arterussamilano.it
    • 12.Alexandre, Arsène. Philippe Maliavine // Dayot, Armand (dir.-fond.). L’Art et les Artistes. Nouvelle Série. T.XI. №55 (Mars 1925) – №59 (Juillet 1925). Paris, 1925, pp.265 – 270 [pp.265266267268269270] (Ill.: Le rire (peinture). Paysanne russe (croquis). Étude de paysanne (dessin rehaussé). Paysannes russes (dessin rehaussé). Jeune paysanne russe (dessin). Femme russe (dessin). Type de paysan russe (dessin))
    • 13.Febbraio 1929. Galleria Bardi. Mostra personale di Filipp Maljavin / Vittorio Pica, Philippe Maliavine. Bollettino d’arte edito dalla Galleria Bardi, via Brera 16, Milano Anno II, n. 3, 1929 (C. Carrà, Mostre milanesi, «L’Ambrosiano», 14 febbraio 1929, p. 3; Mostre milanesi. Maliavine, «Le Arti Plastiche», 16 febbraio 1929) // www.arterussamilano.it
    • 14.La Camerata degli Artisti. Philippe Maliavine. Dal 15 febbraio a 1 marzo 1932. Catalogo della mostra. Roma, 1932
    • 15.Exhibitoin of Russian Painting & Sculpture: Realism to Surrealism [in the Philadelphia, USA]. Introduction & Catalogue by Christian Brinton. [Philadelphia, The Locust Press], The Wilmington Society of the Fine Arts, 1932 (Cover, back: N. Gontcharova; title; Ill.: Sergey Sudeykin. The Moscow Fiancées; Abram Arkhipov. Ivan Rodin from Ryazan; Boris Grigoriev. Madonna of the Steppe; Ekaterina Zernova. The Giant’s Swing; Nikolai Cickovsky. Yang Man from the Government of Penza; Yury Annyenkov. Still Life Composition; Marc Chagall. I and My Village; John D. Graham. Woman of the Steel Age; David Burliuk. Madonna ov the Soviet Age)
    • 16.Seznam děl souborné výstavy Filipa Maljavina v Praze, Na Příkopě. Říjen – Listopad – Prosinec 1933. Pořádá Myslbek, sdružení výtvarných umělců a přátel československého umění v Praze. [Praha, 1933] (Víkohalf titul: autoportrét; název)
    • 17.Phillipe Maliavine [sic] [in the New Burlington Gallery, London] // The Observer. London, 3 November 1935
    • 18.Philip Maliavin: Masters of world painting. Leningrad, Aurora, 1988 (cover)
    • 19.Matthew Cullerne Bown. A Dictionary of Twentieth Century Russian And Soviet Painters. 1900 – 1980s. Izomar Limited. London. 1998
    • 20.Русский Париж [Russie à Paris]. 1910 – 1960. [Альбом выставки / Album de l'exposition]. Альманах. Вып.53. СПб. [Saint-Pétersbourg], Государственный Русский музей [Le Musée d'Etat Russe], Von der Hedt-Museum (Wuppertal), Le Musée des Beaux-Arts de Bordeaux, Palace Edition, 2003
    • 21.Vern G. Swanson. Soviet Impressionist Painting. Woodbridge. Suffolk. UK. Antique collectors` club. 2008
    • 22.Burini, S. La partecipazione degli artisti russi e sovietici all’Esposizione Internazionale d’arte della città di Venezia dal 1895 al 1945. [2010]
    • 23.И.И. Ващенко, Ю.А. Солодовников (пред., поясн.), Я.С. Алалыкина, С.М. Гонтарь, О.В. Загорная, С.Н. Пыхтина, Т.А. Сальникова, Ю.В. Костюков, Е.Г. Касавченко (авт.-сост.). Краснодарский краевой художественный музей им. Ф.А. Коваленко: Русское искусство первой трети ХХ века. Каталог. Самара, СамЛюксПринт, ККХМ им. Ф.А. Коваленко, 1 000 экз., 2011 (рус., анг.) (Krasnodar Art Museum: Art of Russia 1st third XXth Centure. Catalogue. Samara, 2011) (rus., eng.)
    • 24.Nicola Kozicharow. «Racy of the Soil»: Filipp Maliavin’s London Exhibition of 1935 // Anthony Cross (ed.). A People Passing Rude. British Responses to Russian Culture. Cambridge (UK), Open Book Publishers, 2012 (Covertitle; Ill.: Country Ablutions (1930). Troika (1933). Portrait of Leon Trotskii (whereabouts unknown)) p.241 – 251 
    • 25.M. Ljunggren. Филипп Малявин в Швеции // Toronto Slavic Quarterly. No 42. Toronto, 2012, p.265-274
    • 26.Art as a Profession. The Collection of Maya and Anatoly Bekkerman. Almanac [of exhibition]. Pub.421. Moscow – St Petersburg, Palace Editions, The State Pushkin Museum of Fine Arts (Moscow), The State Russian Museum (St Petersburg), ABA Gallery (NY), 2014 (Bookjacket, cover, title)
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