Russian Avant-Gardes. Exhibition. February – May 2006 // Museo Thyssen-Bornemisza (Madrid, España) // www.museothyssen.org

Matiushin Mikhail in the State Museum of Contemporary Art (Thessaloniki, Greece) [from The Costakis Collection consists of 1275 works] // www.greekstatemuseum.com

Mikhail Matyushin from Wikipedia, the free encyclopedia // www.en.wikipedia.org

Matiuschin M. №№185, 186. Le radici degli alberi (legno) / Sculture / Padiglione dell’ U. R. S. S. Supplemento al catalogo ufficiale illustrato // XIV’a Esposizione Internazionale d’Arte Della Citta di Venezia. 1924. Catalogo. Quarta edizione. Venezia, MCMXXIV, p.16

Camilla Gray. The Great Experiment: Russian Art 1863 – 1932. New York, 1962

[Povelikhina A. Matjushin’s spatial system // The Structurist. Nr.15/16. 1975/76. P.64 – 71]

Russian Avant-Garde Art. The George Costakis Collection. Introduction by S. Frederick Starr, Chronology by John E. Bowlt. New York, Harry N. Abrams Inc., 1981

Povelikhina A. Über die Musik im Schaffen des Malers Michael Matjuschin // Sieg über die Sonne: Aspekte russischer Kunst zu Beginn des 20 Jahrhundert. Berlin, 1983

Camilla Gray, Marian Burleigh-Motley.The Russian experiment in art, 1863 – 1922. London, Thames and Hudson, 1986

Klotz H. Matjuschin und die Leningrader Avantgarde. Karlsruhe. Stuttgart & München, 1991

Matjusin M. Über Ton und Farbe // Europa – Europa: Das Jahrhundert der Avantgarde in Mittel-und Osteuropa. Bd.1 – 4. Bonn, 1994

Bown, M.C. A Dictionary of Twentieth Century Russian And Soviet Painters : 1900–1980s. – London : Izomar Limited, [1998]. – Bookjacket: Back: Ruslan A. Kobozev. Inthe Factory Canteen (detail) (1950s); Front: Georgi I. Rublev. A Factory PartyMeeting (detail) (1932); cover; frontispiece: Aleksandr M. Gerasimov. Portrait of the Artist’sWife (1929); title. [[1998]]

Burini, S. La partecipazione degli artisti russi e sovietici all’Esposizione Internazionale d’arte della città di Venezia dal 1895 al 1945. [2010]

Russian Avant-Gardes. Exhibition. February – May 2006 // Museo Thyssen-Bornemisza (Madrid, España) // www.museothyssen.org

Matiushin Mikhail in the State Museum of Contemporary Art (Thessaloniki, Greece) [from The Costakis Collection consists of 1275 works] // www.greekstatemuseum.com

Mikhail Matyushin from Wikipedia, the free encyclopedia // www.en.wikipedia.org

Matiuschin M. №№185, 186. Le radici degli alberi (legno) / Sculture / Padiglione dell’ U. R. S. S. Supplemento al catalogo ufficiale illustrato // XIV’a Esposizione Internazionale d’Arte Della Citta di Venezia. 1924. Catalogo. Quarta edizione. Venezia, MCMXXIV, p.16

Camilla Gray. The Great Experiment: Russian Art 1863 – 1932. New York, 1962

[Povelikhina A. Matjushin’s spatial system // The Structurist. Nr.15/16. 1975/76. P.64 – 71]

Russian Avant-Garde Art. The George Costakis Collection. Introduction by S. Frederick Starr, Chronology by John E. Bowlt. New York, Harry N. Abrams Inc., 1981

Povelikhina A. Über die Musik im Schaffen des Malers Michael Matjuschin // Sieg über die Sonne: Aspekte russischer Kunst zu Beginn des 20 Jahrhundert. Berlin, 1983

Camilla Gray, Marian Burleigh-Motley.The Russian experiment in art, 1863 – 1922. London, Thames and Hudson, 1986

Klotz H. Matjuschin und die Leningrader Avantgarde. Karlsruhe. Stuttgart & München, 1991

Matjusin M. Über Ton und Farbe // Europa – Europa: Das Jahrhundert der Avantgarde in Mittel-und Osteuropa. Bd.1 – 4. Bonn, 1994

Bown, M.C. A Dictionary of Twentieth Century Russian And Soviet Painters : 1900–1980s. – London : Izomar Limited, [1998]. – Bookjacket: Back: Ruslan A. Kobozev. Inthe Factory Canteen (detail) (1950s); Front: Georgi I. Rublev. A Factory PartyMeeting (detail) (1932); cover; frontispiece: Aleksandr M. Gerasimov. Portrait of the Artist’sWife (1929); title. [[1998]]

Burini, S. La partecipazione degli artisti russi e sovietici all’Esposizione Internazionale d’arte della città di Venezia dal 1895 al 1945. [2010]

Russian Avant-Gardes. Exhibition. February – May 2006 // Museo Thyssen-Bornemisza (Madrid, España) // www.museothyssen.org

Matiushin Mikhail in the State Museum of Contemporary Art (Thessaloniki, Greece) [from The Costakis Collection consists of 1275 works] // www.greekstatemuseum.com

Mikhail Matyushin from Wikipedia, the free encyclopedia // www.en.wikipedia.org

Matiuschin M. №№185, 186. Le radici degli alberi (legno) / Sculture / Padiglione dell’ U. R. S. S. Supplemento al catalogo ufficiale illustrato // XIV’a Esposizione Internazionale d’Arte Della Citta di Venezia. 1924. Catalogo. Quarta edizione. Venezia, MCMXXIV, p.16

Camilla Gray. The Great Experiment: Russian Art 1863 – 1932. New York, 1962

[Povelikhina A. Matjushin’s spatial system // The Structurist. Nr.15/16. 1975/76. P.64 – 71]

Russian Avant-Garde Art. The George Costakis Collection. Introduction by S. Frederick Starr, Chronology by John E. Bowlt. New York, Harry N. Abrams Inc., 1981

Povelikhina A. Über die Musik im Schaffen des Malers Michael Matjuschin // Sieg über die Sonne: Aspekte russischer Kunst zu Beginn des 20 Jahrhundert. Berlin, 1983

Camilla Gray, Marian Burleigh-Motley.The Russian experiment in art, 1863 – 1922. London, Thames and Hudson, 1986

Klotz H. Matjuschin und die Leningrader Avantgarde. Karlsruhe. Stuttgart & München, 1991

Matjusin M. Über Ton und Farbe // Europa – Europa: Das Jahrhundert der Avantgarde in Mittel-und Osteuropa. Bd.1 – 4. Bonn, 1994

Bown, M.C. A Dictionary of Twentieth Century Russian And Soviet Painters : 1900–1980s. – London : Izomar Limited, [1998]. – Bookjacket: Back: Ruslan A. Kobozev. Inthe Factory Canteen (detail) (1950s); Front: Georgi I. Rublev. A Factory PartyMeeting (detail) (1932); cover; frontispiece: Aleksandr M. Gerasimov. Portrait of the Artist’sWife (1929); title. [[1998]]

Burini, S. La partecipazione degli artisti russi e sovietici all’Esposizione Internazionale d’arte della città di Venezia dal 1895 al 1945. [2010]